Robert Redford’s Jeremiah Johnson has been one of my all time favorite films. This looks promising:
Robert Redford’s Jeremiah Johnson has been one of my all time favorite films. This looks promising:
Well, it looks like I might not renew my Deer Creek membership this year, but this doesn’t mean I won’t go, it just means I’ll go less often. Life is narrowing in on those precious 4 hours on a Saturday.
I am however, looking to try the living history thing again. My schedule looks like Eutaw Springs may be my best bet. Now the challenge is finding a continental jacket in my size. I am leaning toward going to ebay and then seeing if a seamstress can extend the sleeves.
Heading to Spain in a few weeks on business. I am wanted to find out a little more about the famous guerrilleros and the Peninsular War. Did you know that the term guerrilla warfare stemmed from the Spanish part of this conflict?
Anyway, if you have any suggestions for the jacket, I’m all ears. Wear a size 42…with long guerrilla..I mean gorilla like arms 😉
This week I head over to London for business. I’ve scheduled some time to take in the sites, and am leaning toward visiting the Imperial War Museum. I’ll take plenty of pics. Staying in Windsor. I hear that’s the Queen’s vacation spot. I’ll be sure to check out the castle.
Any suggestions as to what else I need to take in?
With my Charleville lock at the gunsmith for maintenance, I got a chance to spend some good one on one time with the sea service pistol. I set up a target with a large surface area in order to identify where I was missing (post firing remarks often end with “where in the world did I miss THAT time?”) Today I managed to squeeze a little bit more accuracy out of this fun flintlock. The trick is to bend the wrist down a little and aim low. Oh and any more than ten paces and you begin to understand why duels were often not as deadly as advertised (apologies of course to Mr. Hamilton).
After a few shots, I experimented with using a Civil War era bullet from a 1853 Enfield. The suggestion was met with some hesitation from me, but I tend to forget that we are just talking about essentially a metal pipe, black powder and a spark. This weapon could fire out skittles if I wanted (a rainbow of fruit projectiles!!) The Enfield bullet fit just fine in there and gave me a pretty good kick to boot.
Looks as if the bullet actually rolled through the air and left a nice profile in the paper:
Video to follow.
Why do some civilizations become more technologically advanced than others? What leads to the rise of empires and to the dissolution of native peoples? This is often a loaded question that can reveal a persons prejudice. It is a question that is generally not explored or even contemplated by most members of our “modern society”.
Jared Diamond takes a scientific and historical approach to this controversial topic. Guns Germs and Steel takes and in depth look into the circumstances that give rise to dominant peoples and civilizations.
Lets take a (somewhat oversimplified) look at what it takes to become a empire from the ground up…
1: Start with enough wild plant diversity that the benefits of domesticating these plants outweigh the benefits of hunting gathering.
This requires an assortment plants that when domesticated, provide excess calories. The fertile crescent provides this appropriate mix with its wild cereals and grains.
These animals will then help provide additional calories (such as pigs and cows) as well as assist in farming (like ox and horses). Not many animals on the earth can be domesticated. Around the time homo sapiens migrated to North America, animals that potentially could be domesticated were wiped out. These animals did not evolve along side mankind, and therefore had no adequate defense mechanisms to stave off extinction at the hands of these clever interlopers.
3: Resistance to disease is not futile–it is essential.
Sharing viruses and bacteria with domesticated animals will produce unique diseases that only your people will be able to develop resistance. This will take some time and many losses on your side, but eventually natural selection will take over and weed out the susceptible members of your civilization.
Exposing rival peoples to these diseases will wipe out your competitors and leave room to successfully migrate to other lands. This unintended “asset” will be your primary means of establishing dominance peoples unexposed to nasties such as tuberculosis, small pox, the plague, and the flu to name a few.
4: Live in the ‘Goldilocks’ of geography–not too isolated, but not too connected.
Your geography needs to be free of signification obstructions from east to west. This allows farming technology to migrate with a little climate change as possible. North south migration is much more difficult because significant changes in climate make it harder for domesticated crops to adjust or even survive.
The goldilocks of geography must also provide enough barriers to create competing–but still connected–pockets of peoples.
Too many geographical barriers? Your people become isolated and may not feel the pressure from nearby competitors to advance in military and food producing technology.
Too few geographical barriers? Your people could be conquered and fall under an authoritarian rule that may resist technological and geographical advances due lack of nearby competition (China).
5. Feel the pressure to keep up with the Joneses.
Competition from your rivals will force you stay on edge. You cannot afford to take principled stances against technology that rubs your religious or societal sensibilities the wrong way. Adapt or be conquered.
Japan is a unique case study. Japans’ geographical isolation allowed them to throw out superior rifle technology and maintain an antiquated military technology until US gunships showed up on their shores in 1853.
Notably absent from this list is “have more geniuses” or “get capitalism” or “be culturally innovative” or even more wrongheaded assumptions like “genetics”. The primary point is that civilizations benefit first and foremost from circumstance. This may be a hard truth for those who feel that work ethic, cultural intelligence or a particular social system to be a primary factor. These factors are of some significance, but not nearly as much as the factors listed above.
Let me know how you did in the comments…
About ten minutes into the second installment of the series I decided that I am just in it for the scenery. Its apparent that by now you need to come to the conclusion that Sam Adams is awesome, otherwise..well… you are in it for the scenery.
The Boston Tea party is essentially a Sharks verses Jets scenario as Sam Adams dares the redcoats to fire on his men as they empty cargo of tea into the harbor. Governor Hutchingston urges the redcoats not to fire on the vandals because he doesn’t want to create a martyr out of Sam. So in front of everyone, Sam’s men empty valuable cargo into the bay because apparently, if the American’s can’t have nice things, the British can’t have them either.
But this scene is about as close as the series gets to the under riding political causes of the Revolution. Politics, societal tensions and religion are overlooked in a muddled attempt to make the conflict a personal story of one man’s rage against the British empire. If you didn’t know better, you would conclude that Sam Adams sullen angst launched the Revolutionary war. Its apparent that the History channel isn’t going to bother with messy social political realities.
At this point I find it necessary to issue an apology to the good people over at the Journal of the American Revolution. In a previous post on this series, I suggested that historical accuracy gotcha gets tiresome. At times it does, but after watching The History channel butcher history into an unrecognizable heap, I suggest you read this post in order to undue any damage done by watching Sons of Liberty. In the piece, Thomas Verenna shows signs of exhaustion and eventually gives up pointing out the inaccuracies pushed on us by the series. Why bother with pointing out errors in what in reality is an alternate history program? It wasn’t worth the effort.
History is a rich tapestry of compelling drama, interesting facts and captivating people. But it takes work to tell the story right. To depart from historical accuracy in an attempt entertain is an easy way out. Sons of Liberty boils down to a children’s story of good vs evil. Its lazy TV, and offers nothing more than what I could get from my kids Saturday morning cartoons. Sadly, the History channel misses yet another opportunity to enlighten people about our past and dig into the complexities that make our history and our world so fascinating.
Revolutionary Summer by Joseph Ellis has been sitting at my bedside for weeks now. I still cling to the illusion that a large gap of time will spring forth and present an opportunity to dig into this book. Until that fateful day, this short interview with Ellis is will do. Ellis is, in my opinion, one of the most eloquent writers of the American Revolution. He’s got an impressive backlog and for good reason. The man can tell a compelling story. You can get a sense of this as he discusses Washington and the New York campaign:
I you accuse me of posting this video in an attempt to grab an ounce of respectability after my Sons of Liberty review I won’t deny it. Enjoy!
The History Channel has released a three part min-series entitled Sons of Liberty. I got a chance to view part one this evening. Here are some thoughts in no particular order:
No attempt at historical accuracy. Let’s go ahead and get this out of the way first. I am no historian, so I don’t feel the need to nit pick historical errors in a TV series — even one on The History Channel. Frankly, stuff like that bores the tar and feathers out of me (I’m looking at you Journal of the American Revolution).
I understand Sons of Liberty uses historical events and characters as a touch point for creating TV drama, and yet I would be remiss if I did not point out that HBO’s Band of Brothers and John Adams sacrifice much less actual history at the alter of creative liberty than Sons of Liberty. I guess it is just too damn difficult to stay historically accurate AND entertaining. One must just leave that heavy load to premium cable and acknowledge that Sons of Liberty is no John Adams.
Boy, is Sam Adams beer trying to ride this thing all the way to the bank. Perhaps they are hoping that the reinvention of Sam Adams as a Keuno Reeves lookalike will spark a renewed interest in the hipster microbrewery segment. Or perhaps they have abandoned that market segment and are looking to take the burgeoning Sam Adams superhero mythology all the way to Coca-Cola Santa or Budweiser Clydesdale heights. Honestly how can anyone blame them? Almost no need for the ads at all. I’ll give them credit for throwing one at least on redcoat in an ad however. The head of Marketing has to at least act like he/she is trying.
Sam Adams is a mystery in this series so far–and not in a good way. So far no convincing glimpses into his motivations. He’s upset about taxes (I guess). He is sullen. In between bouts of sullenness he gets chased around by the British. He then becomes mad about a boy being killed due to mob violence. Even HBO’s depiction of Sam Adams has much less screen time yet seems to pull together a more convincing character. This may be in part because Ben Barnes is a miscast. He is just too young. This certainly was a TV demographics driven decision and not a historically driven one.
Rafe Spall’s John Hancock is carrying this series so far. Straight out of the gate you know where the Gentleman Hancock stands. He is a business man. His motives are focused on profit, yet as the show progresses you begin to see the effects of the events surrounding him take its toll. Add to this a few quirks and subtle embellishments of character and you have a solid (and even charming) take on John Hancock. Well done Rafe.
Fantastic setting and costume design. Man, they are getting good with these TV series. Sons of Liberty moves one notch above AMC’s TURN in this department. More ships. More extras. More city. My only reservation is that at times the costuming almost comes across as too grungy and stylish. Mix the costumes with slow motion scenes and you get a definite sense of the video game Assasin’s Creed. As one who was turned on to this period by a video game (Empire Total War) I can’t really complain about the decision here.
That’s it so far. Next time we get to take a look at even more historical characters like Washington and what looks to be Joseph Warren’s scandalous affair. Until then, stay calm and carry on.
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